美术英语 / 北京市高效“优质本科教材”
￥65.00定价
作者： 陆薇，胡晓丽
出版时间：2019-10
出版社：知识产权出版社
- 知识产权出版社
- 9787513065122
- 1-2
- 361475
- 62254041-7
- 平装
- 异16开
- 2019-10
- 225
- 200
- 艺术学
- 美术学
- J0
- 通用
- 本科 研究生及以上
作者简介
目录
Contents
Preface I
Unit 1
Ⅰ. Text： Painted Pottery..............................................................................1
Ⅱ. Dialogue： Hemudu Cultural Relics.......................................................3
Unit 2
Ⅰ..Text：.Calligraphy.（Ⅰ）.Oracle.Characters.（Jiaguwen）........................7
Ⅱ. Dialogue： Hieroglyphic Writing............................................................9
Unit 3
Ⅰ..Text：.Bronze.Ware.and.Calligraphy.（Ⅱ）.Bronze.Characters.
. （Jinwen）..................................................................................................12
Ⅱ. Dialogue： Houmuwu Ding...................................................................14
Unit 4
Ⅰ. Text： The Terracotta Warriors............................................................17
Ⅱ..Dialogue：.Qin.Shihuang.—The.First.Emperor.of.Qin.Dynasty
....................................................................................................................19
Unit 5
Ⅰ..Text：.Chinese.Calligraphy.（Ⅲ）.Bamboo.and.Wood.Slips.（.Jiandu）........23
Ⅱ. Dialogue： Tsinghua Bamboo Slips....................................................25
Unit 6
Ⅰ. Text： Chinese Lacquer Ware................................................................29
Ⅱ. Dialogue： Japanese Lacquer Ware.......................................................31
Unit 7
Ⅰ..Text：.Calligraphy.（Ⅳ）.Seal.Script.（Zhuanshu） and Clerical Script （Lishu）
....................................................................................................................34
Ⅱ. Dialogue： Seals.......................................................................................36
Unit 8
Ⅰ. Text： Taoist Painting and Gu Kaizhi..................................................39
Ⅱ. Dialogue： The Origin and Main Ideas of Taoism.............................41
Unit 9
Ⅰ. Text： Dunhuang Art of the Northern Wei Dynasty........................44
Ⅱ. Dialogue： Buddhism Arriving in China..............................................46
Unit 10
Ⅰ..Text：.Calligraphy.（Ⅴ）.Cursive.Script.（Caoshu）...............................50
Ⅱ. Dialogue： The Three Rare Models.....................................................52
Unit 11
Ⅰ. Text： Court Painting in the Tang Dynasty.........................................55
Ⅱ. Dialogue： The Standard of Beauty in the Tang Dynasty.................57
Unit 12
Ⅰ. Text： Historical Painting in the Tang Dynasty..................................61
Ⅱ. Dialogue： The Imperial Palanquin.............................................63
Unit 13
Ⅰ. Text： Animal Painting in the Tang Dynasty......................................67
Ⅱ. Dialogue： Night-shining White and Five Bulls............................69
Unit 14
Ⅰ. Text： Landscape Painting in the Tang Dynasty................................73
Ⅱ. Dialogue： Wang Wei’s Snow and Stream and His Poetry.............75
Unit 15
Ⅰ. Text： Three-color Glazed Figurines in the Tang Dynasty..............79
Ⅱ. Dialogue： Development of Porcelain Before and During
..the Tang Dynasty..................................................................................81
Unit 16
Ⅰ. Text： Calligraphy （Ⅵ） Formal Script （Kaishu）................................85
Ⅱ. Dialogue： The Four Masters of the Early Tang Dynasty................87
Unit 17
Ⅰ. Text： Landscape Painting of the Northern Song Dynasty..............91
Ⅱ. Dialogue： Along the River During the Qingming Festival...........93
Unit 18
Ⅰ. Text： The Imperial Painting Academy...............................................97
Ⅱ. Dialogue： Emperor Song Huizong.....................................................99
Unit 19
Ⅰ. Text： Flower and Bird Painting in the Song Dynasty....................103
Ⅱ. Dialogue： Emperor Song Huizong as a Great Calligrapher..........105
Unit 20
Ⅰ. Text： Figure Painting （Ⅰ）...................................................................108
Ⅱ. Dialogue： Summer Cooling under the Pagoda Tree....................110
Unit 21
Ⅰ. Text： Literati Painting （Ⅰ）.................................................................113
Ⅱ. Dialogue： Fan Kuan and Other Painters.........................................115
Unit 22
Ⅰ. Text： Calligraphy （Ⅶ） Running Style （Xingshu） and Imitation
..of Ancient Models...............................................................................119
Ⅱ. Dialogue： The Calligraphers from the Su Family...........................121
Unit 23
Ⅰ. Text： Porcelain （Ⅰ）.............................................................................125
Ⅱ. Dialogue： The Five Great Kilns........................................................127
Unit 24
Ⅰ. Text： The Four Great Masters of the Yuan Dynasty.....................132
Ⅱ. Dialogue： Zhao Mengfu and His Autumn Colours on the Qiao
.. and Hua Mountains................................................................136
Unit 25
Ⅰ. Text： Literati Painting （Ⅱ）................................................................140
Ⅱ. Dialogue： Tang Yin and Wen Zhengming.......................................141
Unit 26
Ⅰ. Text： Figure Painting （Ⅱ）.................................................................145
Ⅱ. Dialogue： Qiu Ying and Chen Hongshou.......................................146
Unit 27
Ⅰ. Text： Figure Painting （Ⅲ） .................................................................150
Ⅱ. Dialogue： The Four Treasures of the Study....................................152
Unit 28
Ⅰ. Text： Landscape Painting （Ⅲ） .........................................................156
Ⅱ. Dialogue： The Eight Eccentrics of Yangzhou................................158
Unit 29
Ⅰ. Text： Calligraphy （Ⅷ） Modern and Contemporary
..Calligraphers.........................................................................................162
Ⅱ. Dialogue： Qi Gong..............................................................................164
Unit 30
Ⅰ. Text： Porcelain （Ⅱ）............................................................................168
Ⅱ. Dialogue： Jingdezhen..........................................................................170
Unit 31
Ⅰ. Text： Modern Painting （Ⅰ）................................................................174
Ⅱ. Dialogue： Freehand Brushwork........................................................176
Unit 32
Ⅰ. Text： Modern Painting （Ⅱ）...............................................................180
Ⅱ. Dialogue： The Fusion of Chinese and Western Art.......................182
Bibliography 185
Preface I
Unit 1
Ⅰ. Text： Painted Pottery..............................................................................1
Ⅱ. Dialogue： Hemudu Cultural Relics.......................................................3
Unit 2
Ⅰ..Text：.Calligraphy.（Ⅰ）.Oracle.Characters.（Jiaguwen）........................7
Ⅱ. Dialogue： Hieroglyphic Writing............................................................9
Unit 3
Ⅰ..Text：.Bronze.Ware.and.Calligraphy.（Ⅱ）.Bronze.Characters.
. （Jinwen）..................................................................................................12
Ⅱ. Dialogue： Houmuwu Ding...................................................................14
Unit 4
Ⅰ. Text： The Terracotta Warriors............................................................17
Ⅱ..Dialogue：.Qin.Shihuang.—The.First.Emperor.of.Qin.Dynasty
....................................................................................................................19
Unit 5
Ⅰ..Text：.Chinese.Calligraphy.（Ⅲ）.Bamboo.and.Wood.Slips.（.Jiandu）........23
Ⅱ. Dialogue： Tsinghua Bamboo Slips....................................................25
Unit 6
Ⅰ. Text： Chinese Lacquer Ware................................................................29
Ⅱ. Dialogue： Japanese Lacquer Ware.......................................................31
Unit 7
Ⅰ..Text：.Calligraphy.（Ⅳ）.Seal.Script.（Zhuanshu） and Clerical Script （Lishu）
....................................................................................................................34
Ⅱ. Dialogue： Seals.......................................................................................36
Unit 8
Ⅰ. Text： Taoist Painting and Gu Kaizhi..................................................39
Ⅱ. Dialogue： The Origin and Main Ideas of Taoism.............................41
Unit 9
Ⅰ. Text： Dunhuang Art of the Northern Wei Dynasty........................44
Ⅱ. Dialogue： Buddhism Arriving in China..............................................46
Unit 10
Ⅰ..Text：.Calligraphy.（Ⅴ）.Cursive.Script.（Caoshu）...............................50
Ⅱ. Dialogue： The Three Rare Models.....................................................52
Unit 11
Ⅰ. Text： Court Painting in the Tang Dynasty.........................................55
Ⅱ. Dialogue： The Standard of Beauty in the Tang Dynasty.................57
Unit 12
Ⅰ. Text： Historical Painting in the Tang Dynasty..................................61
Ⅱ. Dialogue： The Imperial Palanquin.............................................63
Unit 13
Ⅰ. Text： Animal Painting in the Tang Dynasty......................................67
Ⅱ. Dialogue： Night-shining White and Five Bulls............................69
Unit 14
Ⅰ. Text： Landscape Painting in the Tang Dynasty................................73
Ⅱ. Dialogue： Wang Wei’s Snow and Stream and His Poetry.............75
Unit 15
Ⅰ. Text： Three-color Glazed Figurines in the Tang Dynasty..............79
Ⅱ. Dialogue： Development of Porcelain Before and During
..the Tang Dynasty..................................................................................81
Unit 16
Ⅰ. Text： Calligraphy （Ⅵ） Formal Script （Kaishu）................................85
Ⅱ. Dialogue： The Four Masters of the Early Tang Dynasty................87
Unit 17
Ⅰ. Text： Landscape Painting of the Northern Song Dynasty..............91
Ⅱ. Dialogue： Along the River During the Qingming Festival...........93
Unit 18
Ⅰ. Text： The Imperial Painting Academy...............................................97
Ⅱ. Dialogue： Emperor Song Huizong.....................................................99
Unit 19
Ⅰ. Text： Flower and Bird Painting in the Song Dynasty....................103
Ⅱ. Dialogue： Emperor Song Huizong as a Great Calligrapher..........105
Unit 20
Ⅰ. Text： Figure Painting （Ⅰ）...................................................................108
Ⅱ. Dialogue： Summer Cooling under the Pagoda Tree....................110
Unit 21
Ⅰ. Text： Literati Painting （Ⅰ）.................................................................113
Ⅱ. Dialogue： Fan Kuan and Other Painters.........................................115
Unit 22
Ⅰ. Text： Calligraphy （Ⅶ） Running Style （Xingshu） and Imitation
..of Ancient Models...............................................................................119
Ⅱ. Dialogue： The Calligraphers from the Su Family...........................121
Unit 23
Ⅰ. Text： Porcelain （Ⅰ）.............................................................................125
Ⅱ. Dialogue： The Five Great Kilns........................................................127
Unit 24
Ⅰ. Text： The Four Great Masters of the Yuan Dynasty.....................132
Ⅱ. Dialogue： Zhao Mengfu and His Autumn Colours on the Qiao
.. and Hua Mountains................................................................136
Unit 25
Ⅰ. Text： Literati Painting （Ⅱ）................................................................140
Ⅱ. Dialogue： Tang Yin and Wen Zhengming.......................................141
Unit 26
Ⅰ. Text： Figure Painting （Ⅱ）.................................................................145
Ⅱ. Dialogue： Qiu Ying and Chen Hongshou.......................................146
Unit 27
Ⅰ. Text： Figure Painting （Ⅲ） .................................................................150
Ⅱ. Dialogue： The Four Treasures of the Study....................................152
Unit 28
Ⅰ. Text： Landscape Painting （Ⅲ） .........................................................156
Ⅱ. Dialogue： The Eight Eccentrics of Yangzhou................................158
Unit 29
Ⅰ. Text： Calligraphy （Ⅷ） Modern and Contemporary
..Calligraphers.........................................................................................162
Ⅱ. Dialogue： Qi Gong..............................................................................164
Unit 30
Ⅰ. Text： Porcelain （Ⅱ）............................................................................168
Ⅱ. Dialogue： Jingdezhen..........................................................................170
Unit 31
Ⅰ. Text： Modern Painting （Ⅰ）................................................................174
Ⅱ. Dialogue： Freehand Brushwork........................................................176
Unit 32
Ⅰ. Text： Modern Painting （Ⅱ）...............................................................180
Ⅱ. Dialogue： The Fusion of Chinese and Western Art.......................182
Bibliography 185
